STYLE — CINEMATIC
Storyboard-first film making with generated frames
Storyboard film is a working method as much as a look: plan a story as a sequence of stills — each frame graded and composed like a film shot — then generate motion only for the frames that survive review. It is the cheapest path to a coherent brand film. Our engine supports the whole loop, from 4-up storyboard sheets to finished moving shots.
THE TECHNIQUE
How the Storyboard Film look is built.
Every strong brand film is a sequence of deliberate shots, and the discipline of storyboarding is what separates a film from a montage. The generated workflow makes the discipline cheap: brief each beat of the story as a still — ingredient, process, product, payoff — with a unified grade written into every prompt so the frames read as one film. Review the board, reorder, re-brief the weak frames, and only then spend generation time on motion. The committed samples on this page are real outputs, including a 4-up film storyboard of a product origin story unified by a warm amber grade, a cinema-stage hero shot, and a lens comparison frame useful when choosing each shot's focal character. The method scales down to a three-shot ad and up to a full launch film, and it keeps stakeholders honest — everyone approves the exact frames before motion exists, so revisions happen at the cheap stage instead of the expensive one.
The rate card
Start free. Scale when it works.
Studio
Compare all plans
Creator
Studio Max
FAQ
Questions, answered.
Write the grade and lighting into a reusable phrase — for example "warm amber cinematic grade, near-black background" — and append it to every frame's brief.
Yes. Photo-to-motion animates an approved frame with a chosen camera move, preserving its composition and grade.
Three to six beats cover most 15–30 second spots: hook, product, payoff, with optional texture shots between.
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